Tuesday, October 27, 2015


What Dagur Kári's heartwarming film Fúsi (with a very disappointing international title: Virgin Mountain) does best is to avoid the numerous clichés of modern films, and rather tell a story straight and sincerely, dictated by the intensity of Gunnar Jónsson's performance as the title character Fúsi. If Jónsson brings a rarely seen honesty to his performance, reminding me of Kher in Saaransh in that respect, then Kári has the soul to listen to that, change his film and come up with as true a film as Jónsson deserved.

Fúsi is not an easy film to make: it is deceptively simple but provokes a lot of memories and thought, and it makes you immerse in a world of a man whom many would not have taken to at first sight. It is also the story of the travails of growing up, here for a man: in a world hoarse of feminism, too often one forgets what a man goes through when he does not suit the macho or adventurous image that the society expects from someone of the male sex. At the same time, the seemingly baby Fúsi is much more a man than those around him: he lives and loves with truth, and society's pressure or usual reactions do not faze him from what he thinks is right. The beauty of this film is its restraint: in the hands of a Hollywood director, this film would at best have become a Forrest Gump and have lost its shining honesty and attention to detail; thankfully, Kári is a master of his craft and believes as fervently in his story and his own struggles of feeling having "grown up," as does Fúsi in the film. At the end of the film, you are left wondering how intertwined are our struggles in our works, and how we attempt to heal ourselves through our creations.

A magnificent film, its one single flaw is the choice of the main actress: the character of Sjöfn could have been played by an actress with slightly more screen presence in my opinon. However, the towering screen presence of Jónsson, something very much compulsory for the film, does not let you notice it all that much, and accompanied with good music and cinematography, the film lends itself easily to repeated watching.

No comments:

Post a Comment